Name of the Writer
Vikram Seth
SUMMARY
The author visits the chaotic and lively city of Kathmandu and goes to the sacred Hindu temple of Pashupatinath where he sees a variety of people and animals, including monkeys and cows. A sign board announces entry for Hindus only, and a policeman prevents saffron clad Westerners from entering. The author observes various activities, such as two monkeys fighting, a corpse being cremated, and washer women doing their work on the riverbank. Additionally, he sees a basket of old offerings thrown into the river from a balcony.
The author explores the calm Baudhnath Stupa, a white dome surrounded by shops owned by Tibetan immigrants selling bags and jewelry. In contrast, Kathmandu is described as a lively and religious place with busy, narrow streets, fruit and flute sellers, and shops selling Western cosmetics, chocolates, antiques, and film rolls. The market is filled with noise from film songs, car horns, and vendors shouting, with cows roaming freely around. The author buys some food and drinks for himself. The small shrine protruding from the river bank is believed to signal the end of the evil period of Kaliyuga when the goddess inside emerges fully.
The author considers two plans to return home but chooses to buy a direct flight ticket due to homesickness. He becomes fascinated by a flute seller near his hotel, playing melodious tunes on the flute while standing in the noisy square. The author reflects on the universality of flute music and its importance in different cultures, noting that its playing requires pauses to breathe and produce music. He is left spellbound by the enchanting melodies of the bansuri.
CONCLUSION
In conclusion, the author’s journey to Kathmandu is a testament to the city’s diversity and complexity. The contrast between the chaotic temple of Pashupatinath and the serene Baudhnath Stupa showcases the varying facets of the city. The author’s fascination with the flute seller highlights the universal power of music to connect humanity. His reflection on the importance of breath in playing the flute underscores the interconnectedness of all living beings. The journey back home highlights the transience of human experiences and the importance of cherishing each moment. Through vivid descriptions and observations, the author offers a unique glimpse into the rich cultural tapestry of Nepal, making the reader appreciate the beauty of diversity and the power of cultural exchange.
Easy summary in 100 – 120 words
The author visits Kathmandu, the capital of Nepal and experiences the chaotic atmosphere around the Pashupatinath temple. He observes a variety of people, animals, and activities such as monkey fights, corpse cremation, washerwomen, and children bathing in the Bagmati river. In contrast, the Baudhnath Stupa is peaceful with Tibetan immigrant shops surrounding it. The author explores the lively Kathmandu market with various sellers and shops. He contemplates two travel plans to return home, but ultimately chooses to buy a direct flight ticket due to homesickness. The author is fascinated by a flute seller in the market and observes the commonality of mankind in flute music. He realizes that like breathing is essential for life, pauses are necessary while playing the flute to produce music. The author is left spellbound by the melodious tunes of bansuri.
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